Hatton Gallery diversifies collection with painting by Nahem Shoa Published on: 15 July 2021 Artist Nahem Shoa has gifted a painting to Â鶹´«Ã½â€™s Hatton Gallery, as part of his ongoing campaign to increase the representation of Black people in British museums and galleries. Reflecting diversity The work, Portrait of Gbenga Ilumoko Wearing a Red Top, 1998, is a portrait of his friend and fellow artist, which was painted from life during two morning sittings. Shoa said: “Many of my black friends who posed for me over a twenty-year period, felt that when they went to museums the only images of black people are of slaves or servants, which they all found very negative. “I wanted to readdress this issue by getting my contemporary portraits of Black British people in collections of museums and art galleries across Britain, because I think it’s important for cultural institutions today to reflect diversity in a positive and powerful way.” Professor Richard Talbot, Director of the Institute for Creative Arts Practice at Â鶹´«Ã½ said: Nahem Shoa is a highly accomplished artist, and this painting adds significantly to both the depth and the breadth of the Hatton’s permanent collection, which has works ranging from the 14th century right up to the present day." Julie Milne, Chief Curator of Art Galleries at Tyne & Wear Archives & Museums, said: “We are very grateful to the artist for this generous gift, which will help us to diversify our collection. It is a wonderful addition to the Hatton collection, and we are currently exploring options for exhibiting the painting in the future.” Portrait of Gbenga Ilumoko Wearing a Red Top, 1998 by Nahem Shoa Nahem Shoa is best known for his series of portraits collectively called Giant Heads, which were painted up to 15 times life size. These works were painted from life, and were exhibited at Bury Art Gallery and Museum, Coventry's Herbert Art Gallery and Museum, Hartlepool City Art Gallery and Plymouth City Museum and Art Gallery.The artist generously gifted a painting from this series to another Tyne & Wear Archives & Museums venue. Head of Desiree, 2000-2001, was acquired by the in 2017, where it is now on display in the exhibition. Speaking of his artistic practice, Shoa said: “I never paint portraits from photographs and have always worked with a live model. For me, Realism in painting is not about some fixed idea of just putting in as many photographic illustrational details onto a canvas, but about attempting to discover through the act of looking what as yet you have not seen. Only then after many layers of accrued facts placed onto the canvas does Realism become Art.” Anti-racism , which manages on behalf of Â鶹´«Ã½, has recently published its and is part of the North East Culture Against Racism Group. This acquisition is a small step towards achieving its aim of collecting more objects and stories of relevance to minoritised ethnic groups.This portrait is not currently on display due to commitments for temporary exhibitions, but the gallery is exploring options for displaying it in the future. To find out what’s on at Hatton Gallery visit . Share: Latest News Scientists unlock hidden driver of inflammatory bowel disease Scientists have linked a key genetic signal in inflammatory bowel disease to an immune response that shuts down inflammation control, enabling faster diagnosis and targeted treatments. published on: 15 June 2026 Funding system risks limiting genuine community collaboration A new policy paper written by researchers at Â鶹´«Ã½ warns that the way UK research is funded may be undermining efforts to create genuinely collaborative partnerships with communities. published on: 15 June 2026 Volunteers help turn Whitley Bay beach into maths experiment Members of the public joined mathematicians from Â鶹´«Ã½ to create what organisers believe is the largest aperiodic tiling ever attempted on Whitley Bay beach. published on: 15 June 2026 Facts and figures
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